![]() It's also a design that we might re-use somehow, someday. Nevertheless, it is a type of EQ that we haven't yet provided to our Mixbus users ( a precision EQ with RTA display ) so we thought it would be a nice addition to the release. Many of the features of the LegacyQ are actually optimized for our post/film (largely ProTools) users. Harrison makes a very wide range of products, and each is suited to a different kind of user. For that reason, I don't think it is sensible to compare it to the FreeformEQ, or our own Mastering EQ, which are entirely different products. Regarding the LegacyQ: I'd like to note that the LegacyQ is intended specifically for controlling from a control surface. But exactly "how much is too little" is certainly debatable. In my opinion, these buttons are fairly rarely changed, so they shouldn't get much attention. The blue buttons are admittedly pretty hard to see. Not so much your input is greatly appreciated. Look at what you get from Melda for $49, like the MFreeformAnalogEq (this week at $25). Also available are foldback buses to create headphone mixes for the performers, sync to varispeed external timecode sources. Does it help to get more customers that way in a competitive market ?Īnother one is the latest Q equalizer at $89 that you have covered in your video. Version 6 comes with the devrelopers’ latest audio engine improvements latency compensated buses alongside tracks, cue monitoring for midi and audio tracks, and unlimited Aux buses assignable to each track. ![]() One of them for instance is those dark blue LEDs. It's not a question of 'being blinded by the light' or by some faith. If I would not care about Mixbus32C getting more popular coverage I would not bother. If I would not care, I would not bother at all. I will even take the time to take screen shots. If I find that the Filter enable/disable LED is friggingly hard to see being dark blue/grey I will say so. But then after years it did not survive the 2nd round of questioning, and I explained why. I was a plug-in member, I questioned it, then I joined again. That does not mean keeping the mouth shut. For me it was a matter of about, I'd say, approximately, 5 seconds after receiving the email. If you’re looking for an easy way to improve the sound quality of your tracks without breaking the bank, then The God Particle is definitely worth checking out.(08-15-2018, 04:08 PM)AdmiralBumbleBee Wrote: I think that's somewhat fair, however in my experience over the last week of using MB5 32c I've come to the conclusion that for the upgrade price it's worth it. It’s also great sounding and very affordable. It’s simple to use yet effective at polishing up your tracks. Overall I was very impressed with Jaycen Joshua’s The God Particle. However, if you’re looking for something to help polish up the mix quickly, then The God Particle is worth considering. If you’re looking for a more versatile plugin that can be used on entire mixes, I recommend checking out something like Ozone 10 by iZotope. That being said, it can be used on just about any type of track (vocals, drums, guitars, etc.), so it does have some versatility. It’s only suitable for use on the mix bus or groups of tracks. The God Particle is a great-sounding plugin, but it is fairly limited in terms of what it can do. If you’re looking for a plugin that will give your tracks a professional polish, then The God Particle is definitely worth checking out. I was really impressed with how well it worked on my drums and the mix bus. It really adds depth, detail, and clarity to your tracks without adversely affecting the transients or dynamic range. ![]() The sound quality of The God Particle is fantastic. Yamaha have announced the upcoming introduction of the CK88 and CK61, a pair of new portable stage keyboards that build on the success of their CP and YC series instruments. This is not a big deal, though, as The God Particle is easy to get great-sounding results with. I would have given it a perfect score in this category, but I deducted a point because it doesn’t have a presets feature. Add it to your mix bus, and you’re good to go. According to Cradle, “The God Particle has a multitude of processing algorithms under the hood giving depth, detail, and clarity to your next mix. Coupled with the adaptive limiter section, you can be certain your dynamics and transients will be preserved, all while achieving a rich and punchy sound.” In this review, we will put The God Particle to the test and see if it lives up to the hype. Jaycen Joshua just released his first plugin, The God Particle, created by Cradle Audio.
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